1) The Jew's Harp consists of a cast iron or steel frame and a tempered steel tongue. Jew's harps in Asia, though scarce, have been found in archaeological sites in Bashkortostan, Altai, Khanty-Mansi Oblast, Buryatia, Sakha (Yakutsk, Vilyuisk), China (Inner Mongolia) and Mongolia (Map. 4). I have drawings of the Bashkortostan, and Inner Mongolia instruments, but not the others to date. So it is difficult to assess if there are any patterns of type or development, although with so few, it would be highly conjectural anyway. Finds from Finland make interesting comparisons with those played in Afghanistan, though how much emphasis can be put on the importance of modern instruments as indicative representations of a particular people's ancient traditions is also open to speculation.
In the last room, there are similar instruments from all over the world. Including my country. I was right. Every year there is a competition where Yakut musicians compete with foreign ones. The employee encouraged me to try to play it. I placed it in my mouth. I could only produce a weak sound, but it was better than nothing.
It is often said that Jew's harp is a corruption of jaw harp, but the former is by far the older term and is possibly derived from the French words jeu (a game) or jouer (to play). Marja Pettinen studies musicology at the university of Helsinki and plays the flute and the munniharppu.
The author first got acquainted with Tuvan music in 1991, at the 2nd International Congress of Jew's Harp Music in Yakutia, Russia. Among other ethnomusical bands from Russia's various regions and CIS states, the Tuvan band stood out with its special techniques of playing the khomus (Jew's harp) and of throat singing which accompanied their music. One of them, Gennadii Chash, later tutored the author in throat singing during the latter's visits to Tuva, where he also met Tuvan musicians and ethnomusicologists. The author attended a number of symposia on music in Tyva and researched the Tuvan khomus playing techniques. He also co-produced a CD with their audio recordings (2013).
This rigorous academic program prepares students for a variety of careers in architecture and the construction industry. The program integrates technical, structural, and liberal arts courses through the design of progressively more complex architectural projects.
The CD consists of two parts. The first one is mostly the result of collaborative work of Valentina Suzukei, PhD, one of the leading Tuvan ethnomusicologists and Tuvan khomus music specialists, with Leo Tadagawa, the Head of the Nihon Koukin Kyoukai (Japan Jew's Harp Association). The recordings of various types of khomus music, performed by the masters of different generations, were made in July 2010 in Kyzyl.
The history of the Jew's harp in America began with the frontiers and traders who took Jew's harps from England, France, and Austria with them to use it as barter objects in trading with the native American population. From the 17th century onwards Jew's harps have been also produced in America. The Americans used the instrument primarily in folk and country music. When Western movies and ads used its boing” as a special effect the Jew's harp became widely familiar.
At the age of 7, Krivoshapkina received her grandmother's khomus and some lessons in playing it from her mother. Soon she was entering local singing and dancing competitions. But Krivoshapkina's love of the traditional folk songs known as toyug wasn't shared by her peers at a time when Soviet authorities were banning native languages. In 1991, the dissolution of the Soviet Union allowed people to embrace their traditional cultures. We even replaced our usual morning physical exercise with a traditional circle dance honoring the sun,” Krivoshapkina recalls. While she went to university to study music, she did not revisit the khomus until she met her mentor, Albina Degtyarova. Albina is a well-known teacher and promoter of khomus music, who guided Krivoshapkina's musical education and invited her to join Ayarkhaan, an award-winning Yakutian vocal and khomus trio.
Tirupati is the international brand name for instruments from Sharma Musicals in Ghaziabad, a neighbouring city of Delhi. Sharma Musicals was founded in 1934 by Jagdish Prasad Sharma and is today one of the leading Indian harmonium makers. The current manager Mayank Sharma runs the business in the fourth generation. Thanks to solid infrastructure, long experience and good quality awareness, Sharma Musicals is a reliable supplier of all harmonium models typical of Delhi and North-West India. Instruments from Sharma Musicals are also marketed in the USA and are sold there under the name Bhava Harmonium. They are recommended by renowned kirtan teacher Daniel Tucker.
Jew's-harp` (?), n. Jew + harp; or possibly a corrupt. of jaw's harp; cf. G. maultrommel, lit., mouthdrum. You don't even need to carry around a proper metal jaw harp to play those sweet, sweet tunes. There are bamboo harps. Or even better, you can achieve the same effect with a run-of-the-mill credit card.
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